WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW MOVIE
WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW CODE
WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW SERIES

WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW MOVIE

He offers to pay for the damage, but the movie director says there's no money in the budget for it.

WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW SERIES

Styrofoam Rocks: In the series finale, when Ted gives a literal meaning to the term Cardboard Prison.

Reset Button: After every episode, almost everything is forgiven and forgotten.

Lord knows what the connection was between robots and books. If you don't remember ever watching this show, you certainly remember seeing posters in Pizza Hut that tied the series into its 'Book It!' school fund-raising program.

Product Placement: Actually, sort of a reversal.

Noir Episode: In 'Big 'J', Private Eye', Jamie did his book report in the film noir style.

By the final two seasons, this was downplayed somewhat as she began speaking in a normal girl's voice (due to upgrades and to help her pass as human).

Machine Monotone: This is Vicki's normal mode of speech.

Literal-Minded: Much of the show's humor came from Vicki interpreting commands and figures of speech literally.

The first one she hypnotizes is the mother, and makes her act like The Vamp (see Fetish Fuel, on the YMMV tab).

WHO WAS THE LITTLE BOY ON SMALL WONDER SHOW CODE

Hypno Fool: In the Season 2 episode 'Look into My Eyes', Vicki learns to hypnotize by watching a professional hypnotist on TV, and gets the family to do weird things at mention of a code word.Human Hummingbird: Vicki acts like one in 'Vicki and the Pusher'.Also, she's designed to eat food (to help pass for human) and liquids she consumes work as coolant. Hand Wave: VICI is upgraded in Season 3 to look older (since Tiffany Brisette had grown into a young teenager later in the series).Fun with Acronyms: VICI stands for Voice Input Child Identicant.Starting late in the series' second season and becoming more progressive through the rest of the series, Vicki begins talking in a normal voice and shows emotion more often, to the point where she becomes more 'humanized' (this was in part to explain actress Tiffany Brisette aging into puberty). At the openings, Vicki grins and winks to us, and in an episode where a computer she was smitten with is deactivated a tear trickles down her cheek. Emotionless Girl: Normally during the first two seasons, but subverted in two cases.Effortless Amazonian Lift: Vicki can lift and carry Ted around easily.Drop-In Character: Harriet and her parents.Celebrity Star: Lyle Alzado, Art Linkletter and Jesse Ventura, among others.Tends to be confused with Out of This World, which is that show you vaguely remember about the alien girl who could freeze time. More information about the show is at the Semi-Official Small Wonder 'Cabinet of Contents' Home Page. The series' star, Tiffany Brissette, has retired from acting to avoid typecasting. Due to popular demand, however, Shout! Factory released the first two seasons of Small Wonder on DVD in the first half of 2010. The series is often derided for its silly premise and uneven episode plots, some of which were downright uninspired. This was no easy task, since Ted lived next door to his gloryhound boss, whose daughter wanted to be Mrs. Ted, his wife, Joan, and their son, Jamie, continually tried to keep Vicki's identity a secret. Ted Lawson, a robotic engineer, had a family like any other in California, except that his daughter, Vicki, was a robot he designed and built. This Fantastic Comedy aired in first-run Syndication in the 1980s. And with the help of Mabe Fratti and her friend Sebastian Rojas, I hope we have created a worthwhile tribute to this song which has brought me to tears many times.Short Version: That show you vaguely remember about the terrifying robot girl in the French Maid outfit. When asked to cover an Arthur track for this project, I thought I’d finally give this song a try. What is the song, what is the production, and what is the performance? It’s all very amorphous, and I love that about it. I never thought to cover it before because, like most the material on the World of Echo album, it is hard to pin down what exactly the song itself is. '‘All-Boy All-Girl’ has been one of my favourite Arthur Russell tracks for years. This recording builds on the live energy the group was getting into at the close of those concerts.'

Just before the pandemic hit in March, 2020, I had some concerts in the UK with Peter Broderick, Joe Carvell, Mabe Fratti and Sebastian Rojas. For a few years I've tried it with colleagues here in New York, looking for a group approach to Arthur's cello/delay vamp.

Later, I was surprised and pleased to hear his solo version on the World of Echo album. I wondered about what role the trombone could take on.

We talked about it but I never heard any music. 'One day when we were working in the rehearsal studio, Arthur mentioned his idea of a song called Tone Bone Kone.

Who was the little boy on small wonder show